Yonatan Vinitsky
‘Late’, 2010, Gloss paint (S3560-R90B and S1020-G10Y) on Archival Polyester Film (50 micr), Talcum Powder, Timber and Metal Washers Fixing
‘Pretending / Forthcoming’, 2010, Two Parts Back-Painted Gloss paint (S0510-G70Y, 0603-G70Y, S4005-B20G, S5005-B20G) on Archival Polyester Film (50 micr), Timber and Metal Washers Fixing
‘WOLF’, 2010, Photo Album (36 Pockets), 26 Digital Prints (Each H10 cm x W15 cm) On Reclaimed Wood From Letterset Box Drawer, Metal Brackets
Including (In Order of Appearance, Left to Right): ‘Message From a Friend (1964, 1991, 2010) on Grey Surface (Front)’ / ‘Message From a Friend (1964, 1991, 2010) on Grey Surface (Back)’ / (Empty) / ‘The Evasive Annex 1’ / ‘Candid Opinion’ / ‘The Evasive Annex 3’ / ‘The Evasive Annex 2’ / ‘Congratulations’ * / ‘Not Affiliated With’ / ‘Transparent Gold 1’ / ‘Transparent Gold 2’ / (Empty) / ‘Quietly Acid 1 (Back)’ / ‘Quietly Acid 2 (Middle)’ / ‘Quietly Acid 3 (Front)’ / (Empty) / (Empty) / ‘Brazen Solutions’ / ‘Lucid Solutions’ / ‘Average’ / ‘Proud’ * / (Empty) / ‘&?’ / ‘Look into that’ / ‘Two directions are less detectable than one’ / ‘Unbelievable, Twenty Years!’ */ ‘TIP’ / (Empty) / (Empty) / ‘Not Yet’ / ‘Arguing over something that is, in fact, one thing or another’ / ‘As Ever’ / (Empty) / (Empty) / (Empty) / ‘With Us’ Photos marked with (*) by Ewa Bickels
Detail from ‘WOLF’, 2010: ‘Quietly Acid 2 (Middle) / ‘Look into that’
‘In the main it will only be my impressions of the various actions’, 2009, Installation View From Royal College of Art, London, UK
‘Purpur-Linien (1949), (Four)’, 2009, Brown Tape on Archival Polyester Film (50micr), Double-Sided Tape, Talcum Powder
‘What Are Your Plans For The Future? (‘Forward, Backward, Together’ Version)’, 2009, Giant Red Rubber Bands, Nails
‘A Bridge’, 2008, Brass Hangers, Brass Nails, Pencil
‘Concentration (Green)’, 2008, Seven Plastic Trays, Water, Food Dye
‘28.01.43 (After Walter Pinto)’, 2008, Steel Nails, Wool String
‘Blossom / 196 PAKET’, 2009 (Right Album), Photo Album, 100 x Digital Prints (All 2009, H10 cm x W15 cm), Reclaimed Wood From Letterset Box Drawer, Metal Shelf Brackets
Including (In Order of Appearance): ‘Three Clocks (Sunset)’ / ‘Three Clocks (Sunrise)’ / ‘The Upper Hall 1’ / ‘15:33’ / ‘15:37’ / ‘00:05’ / ’22:05’ / ‘Great Generosity 1’ / ’23:08’ / ‘Inside The Building (Kamienica, Zamkowa 5) 1’ / ‘Inside The Building (Kamienica, Zamkowa 5) 2’ / ‘Inside The Building (Kamienica, Zamkowa 5) 3’ / ‘In The Front of The Building (Zamkowa) 1’ / ‘Inside The Building (Kamienica, Zamkowa 5) 4’ / ‘Future Friendly’ / ‘Inside The Building (Kamienica, Zamkowa 5) 5’ / ‘In The Opposite of The Property 1’ / ‘In The Front of The Building (Zamkowa) 2’ / ‘In The Front of The Building (Zamkowa) 3’ / ‘Blossom (1-9) (Side View)’ / ‘Stored (1-8)’ / ‘Stored (4-8) 1’ / ‘Stored (4-8) 2’ / ‘Stored (5-9)’ / ‘Stored (6-9)’ / ‘Reversed Stored (8-4)’ / ‘Reversed Stored (9-3)’ / ‘Four (1)’ / ‘!’ / ‘Four (2)’ / ‘Involvement’ / ‘Five’ / ‘Three’ / ‘Four (3)’ / ‘Nine (1)’ / ‘Abend Rot (2000)’ / ‘Morgen Rot (2000)’ / ‘Blossom (1-7, 9)’ / ‘Blossom (9)’ / ‘Between The Two Lines For 14 Days 1’ / ‘Between The Two Lines For 14 Days 2’ / ‘Blossom (1-9)’ / ‘A Path’ / ‘Four (Fuzzy)’ / ‘Great Generosity 2’ / ‘Allegro 1’ / ‘Set (Grey Background) 1’ / ‘Reversed Stored (9-2) 1’ / ‘Reversed Stored (9-2) 2’ / ‘Four (4)’ / ‘The natural earth beneath my feet is unusual 1’ / ‘Set (Grey Background) 2’ / ‘Blossom (2-9) / ‘The natural earth beneath my feet is unusual 2’ / ‘Blossom 1’ / ‘Blossom (3-9)’ / ‘Set (Wood Background)’ / ‘Blossom 2’ / ‘The natural earth beneath my feet is unusual 3’ / ‘In The Front of The Building (Zamkowa) 4’ / ‘In The Front of The Building (Zamkowa) 5’ / ‘Friendly Fire’ / ‘Syllables II 1’ / ‘Syllables II 2’ / ‘In The Opposite of The Property 2’ / ‘Allegro 2’ / ‘In The Opposite of The Property 3’ / ‘An Interview (Question of Letting) 1’ / ‘An Interview (Question of Letting) 2’ / ‘34’ / ‘The Upper Hall 2’ / ‘If It Can Be Touched Then It Can Be Turned’ / ‘If It Can Be Touched Then It Can Be Turned’ / ’19:47’ / ’17:08’ / ‘18:00’ / ‘The natural earth beneath my feet is unusual 4’ / ‘23:09’ / ‘An Interview (Question of Letting) 3’ / ‘Members’ / ‘Back (Card) 1’ / ‘Nine (2)’ / ‘The natural earth beneath my feet is unusual 5’ / ‘Three Clocks (Full Moon)’ / ‘Lateral Spread of’ / ’15:06’ / ‘**:**:09’ / ’22:22’ / ’14:04’ / ‘Between The Two Lines For 14 Days 3’ / ‘Between The Two Lines For 14 Days 4’ / ‘The Upper Hall 3’ / ‘The Upper Hall 4’ / ‘The natural earth beneath my feet is unusual 6’ / ‘Great Generosity 3’ / ‘It Is Hard To Hold The Hand Short’ / ‘,’ / ‘Back (Card) 2’ / ’21:00’ / ’15:56’
‘ZEN49 / 196 PAKET’, 2009 (Left Album), Photo Album, 91 x Digital Prints (All 2009, H10 cm x W15 cm), Reclaimed Wood From Letterset Box Drawer, Metal Shelf Brackets
Including (In Order of Appearance): ‘Basis (Centre of The)’ / ‘The Water Flows, But Back Into The Ocean 1’ / ‘Back Corner (Facing the Moon), Upper Left’ / ‘Back Corner (Facing the Moon), Upper Right’ / ‘Back Corner (Facing the Moon), Lower Left’ / ‘Back Corner (Facing the Moon), Lower Right’ / ‘Front Corner (Facing the Sun), Upper Left’ / ‘Front Corner (Facing the Sun), Upper Right’ / ‘Front Corner (Facing the Sun), Lower Left’ / ‘Front Corner (Facing the Sun), Lower Right 1’ / ‘Life’ / ‘Energy’ / ‘Virility / ‘Power’ / ‘Rolf Cavael (1898-1979)’ / ‘The Water Flows, But Back Into The Ocean 2’ / ‘Love’ / ‘The Public Will 1’ / ‘Warmth’ / ‘Strength’ / ‘Kindness’ / ‘Courage’ / ‘Rolf Cavael and Brigitte Matschinsky-Denninghoff’ / ‘Willi Baumeister and Willy Hempel’ / ‘Gerhard Fietz and Fritz Winter’ / ‘Rupprecht Geiger and Rolf Cavael’ / ‘Latent (Basis) 1’ / ‘Tremor (Basis)’ / ‘Passion’ / (EMPTY) / ‘Latent/Tremor (“Are You Hungry?") / ‘Latent/Tremor’ (“No, Why?") / ‘Latent/Tremor’ (“The Sky Is Red") / ‘Latent/Tremor’ (“No Thanks") / ‘Latent/Tremor, Tremor/Latent 1’ / ‘Latent/Tremor, Tremor/Latent 2’ / ‘Latent/Tremor, Tremor/Latent 3’ / ‘Latent/Tremor, Tremor/Latent 4’ / ‘Munich (“It was hot and we were sitting") 1’ / ‘Jump Into The Stormy Water 1’ / ‘Three Generations (R.G, R.C, C.V and Unknown)’ / ‘Jump Into The Stormy Water 2’ / ‘Munich (“It was hot and we were sitting") 2’ / ‘Munich (“It was hot and we were sitting") 3’ / ‘Munich (“It was hot and we were sitting") 4’ / ‘Munich (“It was hot and we were sitting") 5’ / ‘Hilla von Rebay (Meditating)’ / ‘Lust’ / ‘Latent (Basis) 2’ / ‘Sensitivity’ / ‘Hilla von Rebay (Thinking About Tomorrow)’ / ‘Hilla von Rebay (Facing The Sun)’ / ‘Hilla von Rebay (Listening to the rain)’ / ‘Hilla von Rebay with Rolf Cavael, Brigitte Matschinsky-Denninghoff, Willi Baumeister, Willy Hempel, Gerhard Fietz, Fritz Winter and Rupprecht Geiger’ / ‘Munich (“It was hot and we were sitting") 6’ / ‘The Water Flows, But Back Into The Ocean 3’ / ‘Brigitte Matschinsky-Denninghoff and Gerhard Fietz’ / ‘The Water Flows, But Back Into The Ocean 4’ / ‘Jozef Bickels, Natzrat Ilit’ / ‘Rupprecht Geiger, Natzrat Ilit’ / ‘Rolf Cavael, Natzrat Ilit’ / ‘D.R, Natzrat Ilit’ / ‘‘Willi Baumeister and Rolf Cavael’ / ‘Willy Hempel and Rupprecht Geiger’ / ‘Rupprecht Geiger and Fritz Winter’ / ‘Latent/Tremor’ (“No Problems!") / ‘The Public Will 2’ / ‘ZEN49’ / ‘The Water Flows, But Back Into The Ocean 5’ / (EMPTY) / ‘The Public Will 3’ / ‘Friendship’ / (EMPTY) / Latent/Tremor’ (“What Is The Time?") / ’19:26 (In)’ / ‘Warm Feeling Of (1)’ / ’19:26 (Out)’ / Warm Feeling Of (2)’ / ‘Fritz Winter’ and Willy Hempel’ / ‘Munich (“It was hot and we were sitting") 7’ / (EMPTY) / ‘Munich (“It was hot and we were sitting") 8’ / ‘Munich (“It was hot and we were sitting") 9’ /(EMPTY) / ‘Munich (“It was hot and we were sitting") 10’ / ‘The Public Will 4’ / ‘Hilla von Rebay, Natzrat Ilit’ / ‘Front Corner (NOW), Lower Right’ / ‘Latent/Tremor, Tremor/Latent 5’ / ‘The Public Will 5’ / ‘Fritz Winter’ and Willy Hempel’’ / (EMPTY) / ‘Front Corner (Facing the Sun), Lower Right 2’ / ‘The Water Flows, But Back Into The Ocean 6’ / ‘Jozef Bickels and C.V’ / (EMPTY) / ‘...........................’ / (EMPTY) / ‘Dorothea Rockburne Facing Forward’ / (EMPTY)
Detail from ‘Blossom / 196 PAKET’, 2009 (Right Album): ‘The Upper Hall 4’ / ‘15:37’
Detail from From ‘ZEN49 / 196 PAKET’, 2009 (Left Album): ‘Hilla von Rebay (Thinking About Tomorrow)’ / ‘The Water Flows, But Back Into The Ocean 1’
Yonatan Vinitsky (born 1980, Jerusalem, based in London) gained his MA Sculpture at Royal College of Art (2009) and his BA Fine Art at Goldsmiths College (2006). Recent and forthcoming solo shows include Ashdod Museum of Art, Israel and Limoncello, London (both 2011) as well as international group shows.
‘Wiring up a Disco Unit’ - an exhibition by Yonatan Vinitsky
2nd - 30th September 2011
‘The October Show’ - an exhibition by James Harrison, Yonatan Vinitsky, and Jessica Warboys
7th October - 27th November 2010
‘The height of the heels not the depth of the step’ - an exhibition by Yonatan Vinitsky
20th February - 21st March 2009